Her First Mate

Jan 22, 2013 — Andrei Tarkovsky’s austere, minimalist, and poetic film was the first major accomplishment in an oeuvre that would become one of Russia’s main contributions to the treasury of world cinema.

May 18, 2010 — Nicolas Roeg’s first solo outing as a director is an astonishing visual poem, by turns violent, innocent, and elegiac.

Aug 14, 2007 — When I found out last year that we’d be working on Days of Heaven, I got goose bumps. It’s always been one of my favorite films, and I had wished it could be in the Criterion Collection ever since I...

Apr 25, 2005 — Andrzej Wajda’s first feature film marks the beginning of the Polish School, the paradigm of Polish cinema that arose from the political and cultural thaw of the mid-1950s.

Dec 6, 2004 — In his first freestanding biblical epic, Cecil B. DeMille recognized and revered a profound quality in the American soul—its ability to leap over every contradiction through an invincible sense of its own righteousness.

Apr 19, 2004 — “Floating weeds, drifting down the leisurely river of our lives,” has long been a favored metaphor in Japanese prose and poetry. This plant, the ukigusa (duckweed in English), floating aimlessly, carried by stronger currents, is seen as emblematic of our...

Sep 29, 2003 — “Gray literature” is the term German film historians use to describe the material written purely for publicity purposes and made available to the press, but not meant for official publication. Often this gray literature, which is only accessible to film...

Jan 6, 2003 — Ernst Lubitsch set the screwball comedy standard, treating hard-on material with dignified aplomb and a combination of suaveness, hilarity, and sexiness.

Jul 1, 1990 — Jacques Tati’s radiant comedy charms first by its fresh simplicity and later by the depth and richness of its technique.

Dec 18, 1989 — Jerome Kern and Oscar Hammerstein II’s musical was the first to present a panoramic history of America from the Mississippi levees of the 1880s to the Broadway of the 1920s.