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May 31, 2022 Wayne Wang’s breakthrough feature, a milestone in Asian American cinema, is a humorous and intimate snapshot of San Francisco’s Chinatown.

Jun 25, 2021 This week’s highlights include a new issue of Cinema Year Zero, a dossier from Sky Hopinka, and an excellent new name for a subgenre.

Jun 9, 2021 As part of Criterion’s team of digital-restoration artists, it’s my job to make dusty old films look polished and new again, like the first time they were ever screened for the public. This process is akin to photo retouching, but...

Nov 17, 2020 This week sees the release of Melissa Maerz’s new book, Alright, Alright, Alright: The Oral History of Richard Linklater’s Dazed and Confused.

Jun 30, 2020 Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...

Mar 12, 2019 The first few days have also seen premieres of new films by Lynn Shelton, Jonathan Levine, and Olivia Wilde.

Nov 21, 2017 Terry Gilliam plunges into the filth and absurdity of medieval England with this grim fairy-tale comedy.

Jun 1, 2017 By turns gritty and lyrical, this portrait of the Syria-Turkey border brings together two pioneers of Turkish cinema.

Feb 23, 2017 An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.

Mar 18, 2016 The French filmmaker discussed revisiting the world of his breakthrough feature, his desire to communicate with a younger generation, and his signature cinematic flourishes.

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