The Criterion Collection
Oct 7, 2013 — René Clair, Fredric March, and Veronica Lake cast sensational spells in this screwball supernatural treat.
Sep 10, 2013 — Martin Ritt’s 1965 movie of John le Carré’s first great novel (and first best seller), The Spy Who Came in from the Cold, declares “a plague on all your houses” to capitalists, Communists, and ruthless intelligence operatives. It’s one espionage...
Aug 26, 2013 — From the beginning, it was clear that Rainer Werner Fassbinder was destined to shake up German cinema.
Jul 8, 2013 — With its marvelous, distinctive camera work, Kenji Mizoguchi’s searing drama is as technically remarkable as it is humane.
Essays
Jun 25, 2013 — How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.
Jun 17, 2013 — The silent legend practices slapstick with clockwork precision in his most iconic, astonishing comedy.
Jun 11, 2013 — Ingmar Bergman’s classic character study is a moving depiction of aging and regret but also joy and forgiveness.
Essays
Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...
Apr 16, 2013 — With its idiosyncratic humor, killer soundtrack, and middle finger to Reagan-era politics, Alex Cox’s film was the perfect cult hit for the golden age of the video store.
Essays
Apr 9, 2013 — This essay by novelist, playwright, and culture critic Gary Indiana originally appeared in the 1992 book Everything Is Permitted: The Making of “Naked Lunch.” Burroughs’s work tends to affect people like a Rorschach test. It separates cultural conservatives from avant-gardists,...