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Dead End

Jan 23, 2019 Under the Influence With his latest movie, They’ll Love Me When I’m Dead, Oscar-winning documentary filmmaker Morgan Neville trained his focus on one of cinema history’s most outsize personalities. The film—released just months after Neville’s Fred Rogers profile Won’t You...

Jan 15, 2019 In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...

Jan 8, 2019 “Elements which can be eliminated have been eliminated” is how Abbas Kiarostami once described his late turn toward minimalism. While the Iranian director was known for the intricate, metatextual playfulness of his work, he also spent much of his career...

Jan 7, 2019 The artist behind our new cover for Hitchcock’s spy-noir masterwork remembers falling in love with the film as a child and walks through the process of illustrating one of its most iconic scenes.

Jan 3, 2019 We look ahead to films by Martin Scorsese, Greta Gerwig, Paul Verhoeven, Hirokazu Kore-eda, and dozens more.

Dec 29, 2018 Polls and ballots, lists and considered reflections give shape to the year that was.

Dec 28, 2018 Ulysses S. Jenkins’s Two-Zone Transfer By this time in December, the usual onslaught of critics’ polls and nomination lists has given movie lovers a feeling of consensus about what was unmissable over the past twelve months. We were curious about...

Dec 17, 2018 Secrets from the past are always surfacing in melodramas, altering or illuminating the landscape of the present. So it seems fitting that director John M. Stahl, one of Hollywood’s great masters of melodrama, had a past that is only now...

Dec 14, 2018 “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...

Nov 26, 2018 The legendary filmmaker possessed the greatest speaking voice in American cinema, and The Magnificent Ambersons represents the summit of his work as a vocal actor.

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