Anna

Jun 21, 2011 — Chains: Bound for Glory Film history is replete with artists embraced by critics but misunderstood by the public. For Italian filmmaker Raffaello Matarazzo, it was the opposite. After working for almost two decades as a midlevel studio director of pictures...

Apr 14, 2011 — Performances Roberto Rossellini is not often discussed as a director of actors, and Vittorio De Sica is remembered less as a performer than as a filmmaker. Il generale della Rovere, Rossellini’s searing World War II morality drama from 1959 featuring...

Love will make you do the damnedest things.

Feb 1, 2011 — This essay was originally published in the booklet accompanying the 2006 DVD release of The Double Life of Véronique.At the opening ceremony of the 1996 Cannes Film Festival, actress Irène Jacob was asked to pay tribute to Krzysztof Kieślowski, who...

Nov 30, 2010 — Some things those of us who work at the Criterion Collection are serious about: movies (maybe you knew that), getting the details right, and eating and drinking. So when the recipes for the absurdly delicious-looking food the Yokoyamas prepare in...

Nov 28, 2010 — “What we need are good old American—and that’s not to be confused with European—Art Films.” So declared the then twenty-nine-year-old beatnik Method actor Dennis Hopper in an unpublished 1965 manifesto. “The whole damn country’s one big real place to utilize...

Aug 5, 2010 — I work in the editorial department here at Criterion, and I’ve recently taken it on myself to do a little poking around at the office, to find out what my colleagues have going on and share that with visitors to...

Jun 23, 2010 — “Wittily written and spare as a coded message . . . The year’s most perilous ride . . . , we wouldn’t exchange it for a season’s commutation ticket on most of the similar vehicles running out of Hollywood.” So...

Apr 27, 2010 — From left: Marlon Brando, Maureen Stapleton, Tennessee Williams, and producer Richard Shepherd, on the set of The Fugitive Kind. It was Jules Stein, head and founder of MCA, who plucked Richard Shepherd out of Stanford and made him into a real...

Apr 26, 2010 — In the late 1940s, driven by the opening-night ovations for A Streetcar Named Desire, Tennessee Williams embarked on more than a decade of immense success. During this period, he wrote at a furious pace: Summer and Smoke, The Rose Tattoo,...