The Criterion Collection
Oct 23, 2012 — After winning an Oscar, John Schlesinger used his newfound artistic freedom to make a personal film in which homosexuality is treated as groundbreakingly ordinary.
Oct 16, 2012 — After breaking out with Maria Full of Grace, filmmaker Joshua Marston visited a strange new land with persistent and deadly traditions.
Essays
Jul 24, 2012 — Whit Stillman’s wry comedy about Upper East Siders looked like a perverse bit of daring in 1990; today it seems like an artifact from an earlier century.
Essays
Jun 27, 2012 — The warrior and philosopher protagonist of The Samurai Trilogy, Musashi Miyamoto, was a real-life seventeenth-century figure. Here, the translator of Musashi’s The Book of Five Rings tells us about this fascinating man and his principles of swordplay and spirituality.
Jun 12, 2012 — Hal Ashby’s delicately off-kilter May-December romance stars two of the unlikeliest countercultural icons of the seventies.
Jun 11, 2012 — Charlie Chaplin’s transcendent, visionary comedy is made up of one iconic moment after another.
May 8, 2012 — To start on a personal note: I wrote a book about La haine that came out in November 2005, just as the Paris suburbs (banlieues) erupted in an unprecedented wave of violence. Every night, as in the Bob Marley song we...
Oct 25, 2011 — The central theme of the film is that the life force inherent in this music is always with us, but you are an idiot if you want to turn on the wayback machine and relive these days.
Oct 4, 2011 — Masaki Kobayashi rejects the notion of individual submission to the group, condemning the hierarchical structures that pervaded Japanese political and social life in the 1950s and 1960s.
Jul 26, 2011 — To a secular eye, Jean-Pierre Melville’s sixth feature film, Léon Morin, Priest (1961), is about almost anything except religion: the deleterious effects of sexual repression, the moral bleariness of wartime and life under occupation, the harsh inflections of history in...