Wit

Feb 11, 2019 — Thomas Heise, Stephan Geene, and Lei Lei innovatively reconstruct stories from the not-so-distant past.

Feb 11, 2019 — Renowned as an actors’ filmmaker, Ingmar Bergman directed some of cinema’s greatest performances, many of them by a highly talented troupe of frequent collaborators, including Max von Sydow, Liv Ullmann, Bibi Andersson, Harriet Andersson, and others. But even amid the...

Feb 8, 2019 — He became a star in Britain’s “angry young men” era, but some of his best work would come decades later.

Feb 8, 2019 — Norman Jewison and Ray Charles, Jules Feiffer and Alain Renais, and Jia Zhangke and Apple.

Feb 7, 2019 — It’s an inauspicious beginning for festival director Dieter Kosslick’s farewell edition, but there’s much to look forward to.

Feb 7, 2019 — Repertory Picks On Saturday evening, as part of the series A Tribute to Nicolas Roeg, the late, great director’s haunting 1973 masterpiece Don’t Look Now will show at the Brattle in Cambridge, Massachusetts, in 35 mm. (The film will be...

Feb 6, 2019 — Ten forward-looking features and a few intriguing revivals will screen from today through Sunday in New York.

Feb 5, 2019 — The festival focuses on promising filmmakers few of us know much about yet and neglected treasures from the archives.

Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.