The Criterion Collection
Essays
Aug 4, 2003 — Shohei Imamura’s lurid black comedy showcases the director’s passion for everything that’s kinky, lowlife, or irrational in Japanese culture.
Nov 19, 1992 — In Hieronymous Karl Friedrich, Baron von Munchausen, the greatest liar in history outside of politics, director Terry Gilliam has found perhaps his closest fictional counterpart.
Jan 23, 2024 — In the first ten years of her extraordinary career, the Belgian filmmaker used the raw materials of quotidian, marginal lives to spark a radical reinvention of cinema.
The Daily
Dec 13, 2019 — A crash course in the history of dance on film and an in-depth conversation about Pedro Costa are among this week’s items of note.
Jan 17, 2005 — Jacques Becker’s crime film contains plenty of the requisite genre elements—double-crossings, violence, kidnappings, and gun battles—but it’s also a pensive meditation on age, friendship, and lost opportunities.
On the Channel
Sep 18, 2025 — This month’s programs offer a feast of horror, including a John Carpenter retrospective and a collection of the most terrifying films of the 2000s.
Jun 26, 2012 — Hiroshi Inagaki’s action epic is as responsible for creating Toshiro Mifune’s legendary cinematic persona as the films of Kurosawa.
The Daily
Dec 7, 2021 — As his latest feature arrives in the U.S., the director has already begun work on his next one.
Features
Jan 20, 2020 — In celebration of Federico Fellini’s 100th birthday, the director of The Farewell talks about the deeply moving final scene of Nights of Cabiria and its mixture of pain and hope.
Jun 27, 2014 — The American war in Vietnam was officially divided into two halves: the military war and “the other war: the war to win the hearts and minds of the people,” which gives Peter Davis’s 1974 documentary its title. Whereas the aim...