Into the Okavango

Nov 3, 2015 — We present an excerpt from the book David Lynch: The Man from Another Place, by Dennis Lim.

Feb 15, 2015 — Among the most exciting supplements on our new release of Jean Renoir’s classic short A Day in the Country is an eighty-nine-minute compilation of outtakes from the film, titled Un tournage à la campagne, which features revelatory behind-the-scenes footage of...

Jun 5, 2014 — The following is excerpted from an interview with Red River editor Christian Nyby that critic Ric Gentry conducted in 1991.

May 12, 2014 — The Italian cinema expert describes the immense popularity of Dino Risi’s film in its home country, and the way it deepened the commedia all’italiana genre.

Nov 5, 2012 — The following originally appeared as the afterword to the 2003 New American Library edition of the novel Rosemary’s Baby. Having observed that the most suspenseful part of a horror story is before, not after, the horror appears, I was struck...

Mar 20, 2012 — Even more than with most documentaries that set out to record events as they happen, there was a lot of luck involved in producing The War Room (1993). When they turned their attention to Bill Clinton’s presidential campaign in 1992,...

Sep 13, 2011 — Hollywood has been importing talented European filmmakers at least since the early twenties, when Victor Sjöström and Ernst Lubitsch heeded the siren wail of Tinseltown resources, and their work there has tended to quickly obscure the cultural memory of the...

May 16, 2011 — Among the most enduringly popular motives for murder, in films as in life, is the desire to remove an impediment to happiness—to get somebody, once and for all, out of the way. In life, of course, the goal of freeing...

Jan 25, 2011 —  Sapphire: Inner City Given his strikingly eclectic body of work, it’s not surprising that Basil Dearden has never become a household name—he’s too hard to pin down. Moving effortlessly among comedies, melodramas, and thrillers, over a thirty-five-film, nearly thirty-year career,...

Apr 26, 2010 — In the late 1940s, driven by the opening-night ovations for A Streetcar Named Desire, Tennessee Williams embarked on more than a decade of immense success. During this period, he wrote at a furious pace: Summer and Smoke, The Rose Tattoo,...