Inte Ett Riktigt Jobb

Feb 17, 2015 — It was never, of course, Yasujiro Ozu’s intention that An Autumn Afternoon (1962) should be the final film of his thirty-­five­-year career as a writer­-director. Indeed, before he died on his sixtieth birthday, in December 1963, he had made notes...

Feb 15, 2015 — Among the most exciting supplements on our new release of Jean Renoir’s classic short A Day in the Country is an eighty-nine-minute compilation of outtakes from the film, titled Un tournage à la campagne, which features revelatory behind-the-scenes footage of...

Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.

Feb 10, 2015 — The late film scholar beautifully analyzes the visual lyricism of the French master’s legendary short work.

Feb 3, 2015 — Jean-Luc Godard returned to the character-driven intensity of his earlier films with this satirical but serious-minded take on men, women, and money.

Feb 2, 2015 — Our release of the spellbinding La Ciénaga marks not only the brilliant Lucrecia Martel’s entrance into the Criterion Collection but also our first title from the New Argentine Cinema. To get a better idea of the importance and finer aesthetic...

Jan 26, 2015 — Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.

Jan 21, 2015 — Money can’t buy love and happiness in Preston Sturges’s classic comedy—or can it?

Jan 20, 2015 — Here he is: the real, unreal Guy Maddin, in his phantasmagorical, polymathic stew of sex, memory, and dreams.

Jan 14, 2015 — The writer remembers two New York film figures.