Film

Nov 29, 2018 — First Reformed, Eighth Grade, Roma, and The Rider emerge as early favorites.

Nov 29, 2018 — The lights may go out at midnight, but we will still be carrying the torch.

Nov 29, 2018 — 112 films, including new work from Joanna Hogg, Stanley Nelson, Kim Longinotto, and Ritesh Batra.

Nov 29, 2018 — The largest retrospective in the U.S. yet is on through mid-December.

Nov 29, 2018 — Repertory Picks Tonight at 7, Minneapolis’s Trylon cinema will give over its single screen to Godfrey Reggio’s 1983 Koyaanisqatsi. Drawing its title from a Hopi term meaning “life out of balance,” the experimental, fiercely poetic film indicts the excesses of...

Nov 28, 2018 — Made on a shoestring budget, Edgar G. Ulmer’s 1945 Detour is a landmark of film noir, a hardboiled thriller that represents the genre at its seediest and most fatalistic. But despite amassing critical acclaim and a significant cult following over the decades,...

Nov 28, 2018 — In the 1940s, the nonlinear narrative began to enter the mainstream, as films like Citizen Kane and Double Indemnity boldly did away with the chronological mode that had dominated the cinematic storytelling of decades prior. While the visionary Orson Welles...

Nov 28, 2018 — The career of one of Italy’s greatest directors was riddled with scandal and accolades.

Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.

Nov 26, 2018 — The Magnificent Ambersons In his interviews with Peter Bogdanovich published as This Is Orson Welles, Welles speaks nostalgically of the time he spent with his father in a tranquil enclave of 1920s Illinois, comparing it to “a childhood back in...