The Criterion Collection
Jan 21, 2008 — Married thrice and divorced from all of his wives at a time in Western culture when such marital fluctuation was rare, the playwright August Strindberg undoubtedly used his own dramatic life as a sourcebook.
Jan 14, 2008 — As Japan was coming out of World War II, Akira Kurosawa was coming into his own as a filmmaker.
Sep 3, 2007 — I’m on a flight back from the Telluride Film Festival and two and a half great days in the mountains. Telluride has been an important festival for Criterion and Janus for years. It’s a great opportunity to mingle with filmmakers...
Jan 17, 2005 — Jacques Becker’s genius is to focus resolutely on what comes before or after or falls in between the decisive actions: it’s a crime film where we learn how gangsters brush their teeth.
Essays
Jul 19, 2004 — Marcel Carné's third feature is as epochal as any film made in France in the 1930s, exemplifying the style known as “poetic realism.”
Jun 26, 2000 — Kevin Smith writes about his third feature as a sort of penance/valentine for the woman who made him grow up.
Essays
Oct 12, 1998 — Inspired by the stranger-than-fiction true story of identical twin gynecologists, David Cronenberg’s psychological thriller is a melancholic meditation on our very existence.
Essays
Aug 24, 1989 — Yasujiro Ozu’s favorite theme of the stresses and strains of parent-child relationships figure prominently in this story of a raggle-taggle theater troupe giving its final performances in a small fishing village.
The Daily
Apr 7, 2026 — The third edition opens with Maddie’s Secret and features Chronovisor, After Dreaming, and Blue Heron.
Oct 27, 2025 — The self-trained filmmaker examined postindependence Nigerien society in morality tales that showcased his visual ingenuity and sly sense of humor.