Play

Jan 6, 2015 — Kihachi Okamoto's The Sword of Doom is likely to strike the unalerted viewer as an exercise in absurdist violence, tracking the career of a nihilistic swordsman from his gratuitous murder of a defenseless old man to his final descent into...

Dec 16, 2014 — The prolific and popular Keisuke Kinoshita made his fascinating first movies at a time of great difficulty and censorship, yet their spirit and brilliance shine through.

Dec 11, 2014 — The opening installment of Terry Gilliam’s “Trilogy of Imagination” reminds us we’d be better off if we paid more attention to the kid’s-eye view of things.

Dec 3, 2014 — “We were just in London, clubbing, all those things people did in the ’60s in the middle of London,” British actor Francesca Annis recalls, in an interview on the new Criterion release of Macbeth, of “crossing paths” with director Roman...

Dec 1, 2014 — Agroup of rich Italians is on a cruise off the coast of Sicily when one of their number—a moody, unhappy young woman—disappears. Murder, kidnapping, accident, suicide? Her boyfriend and her close friend search for her, but the search turns into...

Nov 27, 2014 — Repertory PicksNew York’s Museum of the Moving Image is kicking off its series See It Big: Animation this holiday weekend. And what better movie for Thanksgiving time than one about an unrepentant poultry thief? Wes Anderson’s Fantastic Mr. Fox, featuring...

Nov 25, 2014 — More than just observational, Les Blank’s sensual documentaries are personal and participatory celebrations of American culture.

Nov 17, 2014 — Claudette Colbert and Clark Gable’s effortless banter is pure magic, but Frank Capra’s comedy is rooted in the reality of the times.

Oct 21, 2014 — There were plenty of advantages to living in Paris in the early 1970s, especially if one was a movie buff with time on one’s hands. The Parisian film world is relatively small, and simply being on the fringes of it...

Oct 7, 2014 — In this five-minute excerpt from our new hour-long documentary Toil and Trouble: Making “Macbeth,” director Roman Polanski talks about the freedom adapting Shakespeare allows a filmmaker, and his unusual choice to cast young, physically attractive actors in the main roles....