May 10, 1993 Green for Danger is a welcome twist on that most venerable of English concoctions, the drawing-room thriller. In this instance, the drawing room is instead a hospital not far from London, where surgery is conducted under a cascade of German...

The Player

Essays

Apr 6, 1993 Robert Altman’s darkly witty, gleefully close-to-bone satire of Hollywood is also a return to the infinitely sly and supple virtuosity that marked his great work of the ‘70s.

Jan 5, 1993 All right, I’ll just say it. Monty Python and the Holy Grail is the most sublimely irreverent, most jaw-droppingly hysterical movie of the last twenty years. How many films, after all, have Knights who say “Ni!,” filth-eating peasants, and 160...

Nov 19, 1992 In Hieronymous Karl Friedrich, Baron von Munchausen, the greatest liar in history outside of politics, director Terry Gilliam has found perhaps his closest fictional counterpart.

Sep 24, 1992 It was in 1947 that Vladimir Nabokov began writing what he described as “a short novel about a man who liked little girls.” Completed in 1954, the manuscript was rejected as pornographic by at least four New York publishers. Nabokov...

Breathless

Essays

Jul 8, 1992 Since its first screening in 1960, Jean-Luc Godard’s astonishing debut has lost none of its power to thrill an audience or change the way we see the world.

May 25, 1992 Cecil B. DeMille’s spectacle turned out to be the silent screen’s most elaborate realization of “the greatest story ever told.”

Apr 20, 1992 Tanya: Oh, James, James, will you make love to me all the time in England? James Bond: Day and night! Sean Connery returns in From Russia with Love in the best of all of Ian Fleming’s stories. Filled with sex,...

Mar 30, 1992 John Schlesinger’s controversial masterpiece made moviegoers squirm with its bold, bleak portrayal of unrequited love, gay and otherwise, and it remains as jolting and thought-provoking as ever.

Dec 16, 1991 Lady for a Day represented a watershed in the career of Frank Capra. The young director had been laboring at Columbia Pictures’ Poverty Row Studio, churning out 18 films in less than six years. He had moved from low-budget programmers...

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