The Criterion Collection
Oct 9, 2008 — Lola Montès, Max Ophuls’s final film and some would say greatest masterpiece, opened today in New York and Los Angeles in what is being touted as the definitive restoration. Butchered by its producers and a flop on initial release in...
Essays
Aug 2, 2004 — Anna Magnani’s flair for demotic street comedy was transfigured into stylized nobility by sumptuous costuming and Jean Renoir’s formal camera work.
May 9, 2004 — With his vibrant chronicle of an Oedipal revolt, Volker Schlöndorff captures the source novel’s singular recreation of the German past.
Essays
Oct 25, 1994 — Kenji Mizoguchi develops his medieval fable about moral freedom and slavery with intuition, cunning, and an overarching sense of tragedy.
Dec 6, 2022 — Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.
The Daily
Jun 12, 2024 — Veljko Vidak’s documentary on the construction of a movie theater in a Finnish town screens with five films by Aki Kaurismäki.
The Daily
Sep 9, 2021 — Critics find Kristen Stewart to be “both such a counterintuitive and oddly apt choice” for the role of Diana, Princess of Wales.
In Theaters
Jul 26, 2019 — The late Iranian master takes the spotlight in a magisterial retrospective—the most comprehensive survey of his career ever mounted—opening today at New York’s IFC Center.