One Day

Apr 17, 2013 — Four of the great Japanese director’s lesser-known, early films show the coming into being of a political artist.

Apr 9, 2013 — This essay by novelist, playwright, and culture critic Gary Indiana originally appeared in the 1992 book Everything Is Permitted: The Making of “Naked Lunch.” Burroughs’s work tends to affect people like a Rorschach test. It separates cultural conservatives from avant-gardists,...

Mar 20, 2013 — Michael Powell and Emeric Pressburger’s adroit masterpiece is war film, dark comedy, historical drama, poignant romance, and a portrait of the modern woman.

Feb 27, 2013 — More than eighty films into his career, Kenji Mizoguchi made this emotionally devastating masterpiece, from a story by Ogai Mori.

Jan 15, 2013 — Despite the acclaim, Volker Schlöndorff always felt his adaptation of Günter Grass’s novel was incomplete. Thirty years later, he set to work on his director’s cut.

Jan 8, 2013 — The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy Rider, were milestones, to be sure. But can it really be said that they were milestones in the art of cinema? “I think The...

Dec 11, 2012 — Cinema is both an educational tool and a vessel for kinetic, avant-garde expression for filmmaker and activist Godfrey Reggio.

Oct 23, 2012 — After winning an Oscar, John Schlesinger used his newfound artistic freedom to make a personal film in which homosexuality is treated as groundbreakingly ordinary.

Jul 14, 2012 — Simply stated, Wes Anderson is the most original presence in American film comedy since Preston Sturges. He is as boundlessly confident as  Sturges was in his heyday, and he has a similarly keen ear for gaudy dialogue; a gift for...

Jun 27, 2012 — The warrior and philosopher protagonist of The Samurai Trilogy, Musashi Miyamoto, was a real-life seventeenth-century figure. Here, the translator of Musashi’s The Book of Five Rings tells us about this fascinating man and his principles of swordplay and spirituality.