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Feb 5, 2019 The festival focuses on promising filmmakers few of us know much about yet and neglected treasures from the archives.

Feb 5, 2019 Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Feb 4, 2019 All four of this year’s top prizewinners have been directed or codirected by women.

Feb 1, 2019 Rotterdam and Vanity Fair get a cinephile’s dream roster of filmmakers talking about their work.

Feb 1, 2019 A cast of dolls and a rhino are featured in this year’s award-winners, and Steven Soderbergh has previewed his new film.

Feb 1, 2019 It’s hard to look away from the stunning lead performances by Sidney Poitier and Rod Steiger in Norman Jewison’s In the Heat of the Night. But no one who watches the seething procedural will soon forget Lee Grant as the...

Jan 31, 2019 Repertory Picks Tomorrow, two of Jackie Chan’s most furiously entertaining blockbusters will swing their way back into theaters, as Police Story (1985) and Police Story 2 (1988) begin a run at Brooklyn’s Alamo Drafthouse in new 4K restorations, courtesy of...

Jan 31, 2019 The actor’s immediately relatable face left a lasting impression in nearly 200 films and television shows.

Jan 31, 2019 Trailblazer Elaine May altered the landscape of comedy and screenwriting, and in the three films she directed in the 1970s—A New Leaf (1971) , The Heartbreak Kid (1972), and Mikey and Nicky (1976)—she brought a fresh, often uncomfortable perspective to the portrayal of...

Jan 30, 2019 We’re excited to announce that our new streaming service for movie lovers, the Criterion Channel, will be launching on April 8 in the U.S. and Canada. It will be available on desktop, Roku, Amazon Fire, Apple TV, iOS, and Android...

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