To Have and Have Not

Aug 18, 2008 — One of the most awarded films in Japanese history, Keisuke Kinoshita’s nostalgia piece unfolds a celebration of family values and scenic beauty.

Jul 9, 2007 — Hiroshi Teshigahara’s late work is a masterful amalgam of high international modernism and traditional Japanese fine arts.

Oct 23, 2006 — Throughout the sixties and seventies, the Italian director created a series of political dramas that were at once provocations, exposés, puzzles, and acts of virtu­osity.

May 13, 2002 — In Barbet Schroeder’s portrait of Ugandan dictator Idi Amin, we watch a seemingly amiable, thoroughly pompous despot attempt to transform himself into a figure of heroic proportions.

Feb 14, 2002 — Robert Bresson’s second feature is fixed in history as one of the movies that heralded an austere, modernistic way of seeing and feeling.

Nov 13, 2000 — Featuring what may be the only 1950s monster that could not be destroyed, this cult classic warns parents to listen to their kids because the world they understood and controlled is over.

Sep 18, 2000 — Drenched in mud and rain, Lars von Trier’s breakthrough film inhabits a true twilight zone, bereft of heroes and integrity.

Nov 14, 1995 — Tamura (Eiji Funakoshi), the hero of Kon Ichikawa’s drama, may be the loneliest man in the history of the movies—lonelier than the spiritual pilgrims of Bergman, Bresson, and Dreyer.

Jan 11, 1988 — In Young and Innocent (1937) Alfred Hitchcock uses all the signs in his visual vocabulary to tell one of his favorite stories: fugitive hero unjustly accused of murder. Yet this is also a story of youth and innocence triumphant—a light...

May 14, 2026 — Jane Schoenbrun’s third feature is met with raves, while three other early entries are seeing mixed reviews.