In Time

Jun 15, 2017 — New York. “Among the most savage and surreal of Italian comedies, starring one of the country’s biggest stars”—Alberto Sordi—“and directed by one of its legendary filmmakers, Vittorio De Sica’s Il Boom barely made a ripple when first released, in 1963,...

May 25, 2017 — New York. “You can’t go wrong with a retrospective of Ernst Lubitsch, whose movies still sparkle with urbanity and sly wit,” writes Neil Genzlinger in the New York Times. “Film Forum serves up a feast of them beginning Friday, June...

May 22, 2017 — “Michael Haneke is back to many of his old tricks in Happy End, which enfolds the child psychopathy of Benny’s Video, the bourgeois nightmare of Hidden, the euthanasia theme of Amour, and the racial discomfort of Code Unknown into a...

May 21, 2017 — Sea Sorrow, premiering Out of Competition at the Cannes Film Festival, is Vanessa Redgrave’s directorial debut. “A heartfelt, formally messy documentary about the international refugee crisis, the movie is largely a plea for compassion and action,” writes Manohla Dargis in...

May 17, 2017 — “For its 70th anniversary,” begins Boyd van Hoeij in the Hollywood Reporter, “the Cannes Film Festival has, very appropriately, chosen to open with a film by French auteur Arnaud Desplechin, a Cannes discovery whose feature debut, The Sentinel, played in...

Jan 13, 2017 — Did You See This? In remembrance of the late, great David Bowie, Sight & Sound examines the icon’s connection to cinema. Apart from his on-screen appearances, the influence of film manifests in everything from his groundbreaking videos and “widescreen” musical...

Nov 25, 2016 — Did You See This? In celebration of TIFF’s ongoing series Imitations of Life: The Films of Rainer Werner Fassbinder, Guy Maddin takes a look at the German master’s predilection for lush color palettes. In his latest TCM Diary for Film...

Nov 8, 2016 — The Austin-based filmmaking duo chat with us about the influence of Louis Malle and their new short film, which takes inspiration from the director’s Black Moon.

Dec 9, 2013 — The critic and WCP executive director offers a personal take on art cinema and a primer on the project’s scope and mission.

Feb 19, 2013 — Elia Kazan’s masterwork is a vivid, tough look at a time and place, and a transcendent human drama.