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To Be and to Have

Oct 31, 2024 She brought a winning intelligence to suffering characters in such films and Young Frankenstein, Tootsie, and After Hours.

Oct 4, 2024 The week offers conversations with Francis Ford Coppola and John McNaughton, deep dives into a horror classic, and a guide to Indie’a Parallel Cinema.

Critical Returns

The Daily

Sep 27, 2024 The times call for revisiting work by Robert Bresson, John Ford, Shu Lea Cheang, Brian De Palma, and Robert Towne.

Sep 13, 2024 Will we ever see Ezra Edelman’s Prince documentary? Plus Chantal Akerman, Demi Moore, and the waning of “elevated horror.”

Aug 15, 2024 Late August, early September—this is the perfect spot on the calendar for the Rozier retrospectives in New York and Los Angeles.

Jul 17, 2024 Glauber Rocha’s ambitious breakthrough film manifested the project of Cinema Novo, a new wave that sought to overcome the influence of Brazil’s colonial origins and find images and sounds that could reconceive the nation.

Jul 17, 2024 With a deep dive under the hood of Ferrari, Mann aims to explain how he goes about making a movie.

Jul 12, 2024 We dive this week into the worlds of Jean Eustache, Walerian Borowczyk, John Ford, Kozaburo Yoshimura, and Chris Marker.

Japan Cuts 2024

The Daily

Jul 10, 2024 This year’s edition opens with jazz, features three revivals, and wraps with Godzilla.

Jul 1, 2024 BAM will launch a nine-film series with the one film that stars both, Robert Altman’s 3 Women.

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