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All About Eve

May 16, 2017 Two decades after its premiere, the groundbreaking IFC Channel show Split Screen celebrated its anniversary with a Criterion Live! event, presented last Wednesday in partnership with the Film Society of Lincoln Center and FilmStruck. Series creator and host John Pierson...

May 14, 2017 Yasujiro Ozu’s ode to childhood interweaves observations of human behavior with the simple surfaces of quotidian life in Tokyo.

May 2, 2017 It was a cold January morning, with biting winds coming off the Seine, when I stopped by the Librairie du Cinéma du Panthéon during a break from working on our upcoming release of Marcel Pagnol’s Marseille Trilogy. This film-specialty bookstore...

May 2, 2017 On a trip to the Library of Congress’s Mostly Lost workshop—affectionately known as “film-geek heaven”—Imogen Sara Smith joined early-cinema aficionados in uncovering treasures from the vaults.

Apr 29, 2017 With his IFC TV series Split Screen, creator and host John Pierson gave viewers an all-access pass into the idiosyncratic world of independent cinema. Originally aired in 1997, the magazine-format program highlighted America’s most buzzed about young filmmakers and the...

Apr 27, 2017 1. As I began work on The Kennedy Films of Robert Drew and Associates, I knew that 1960’s Primary was really the birth of what we think of as the modern documentary: observational photography based on access to an interesting subject, presenting...

Apr 20, 2017 Programmer Michael Sragow and former Film Society of Lincoln Center program director Richard Peña discuss the holy grail of cinephile TV series and the legendary figures it profiled.

Anthony Asquith

Short Takes

Apr 10, 2017 Critic Peter Cowie pays tribute to a quintessentially English master, whose prolific career stretches back to the silent era.

Apr 7, 2017 Filmmaker Brock DeShane pays heartfelt tribute to Jack H. Harris, the late cult-horror maestro who produced low-budget sensations like The Blob and Equinox.

Mar 6, 2017 To commemorate the anniversary of the late Polish master’s birth this week, critic Michał Oleszczyk pays tribute to his mercurial style, urgent political themes, and sly evasion of the censors.

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