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Feb 2, 2018 — New York. First, we look past the new few days with a few lineup announcements. EW’s Clark Collis reports on Pacino’s Way, a retrospective of over twenty-five films, “the majority screening on 35 mm prints,” that will run at the...

Feb 2, 2018 — On the fiftieth-anniversary commemoration of the armistice that ended World War I, the French television program Les dossiers de l’écran showed G. W. Pabst’s Westfront 1918 to a group of veterans and asked for their reactions.

Feb 2, 2018 — For nearly a decade now, the Big Ears Festival in Knoxville has been a low-key event of high significance to the world of music. Writing about the 2016 edition in the New York Times, Ben Ratliff noted that it “has...

Feb 1, 2018 — This Saturday, the Pickford Film Center in Washington presents a screening of Edward Yang’s four-hour coming-of-age epic A Brighter Summer Day.

Feb 1, 2018 — We'll start with things to listen to, beginning with the latest episode of the Projection Booth (106’41”). Mike White has invited four authors to discuss Alfred Hitchcock’s Marnie (1964): Tania Modleski (The Women Who Knew Too Much: Hitchcock and Feminist...

Feb 1, 2018 — The first half of the series Martin Scorsese Presents Republic Rediscovered: New Restorations from Paramount Pictures, organized by Dave Kehr, a curator in the Museum of Modern Art’s Department of Film in association with Scorsese’s Film Foundation and Paramount Pictures,...

Jan 31, 2018 — The SXSW Film Festival, whose 2018 edition runs from March 9 through 18, has announced a lineup of 132 features—with more on the way. With descriptions from the festival . . . Narrative Feature CompetitionFamily. Director/Screenwriter: Laura Steinel. When an...

Jan 31, 2018 — To introduce a new section of short pieces on the Criterion Channel, we’re sharing a video about one of Orson Welles’s favorite actorly aids: prosthetic noses.

Jan 31, 2018 — This year’s Skandies countdown has begun. Mike D’Angelo’s twenty-third annual survey of critics he knows and trusts is always one of most interesting of the many best-of-the-year lists to spend time with. There are nine categories, including best scene, which...

Jan 31, 2018 — “Originality has never been a problem for documentarian Robert Greene, whose films Actress and Kate Plays Christine have freely crossed the lines between fly-on-the-wall realism and overt artificiality,” writes Noel Murray for the Week. “Bisbee ’17 is Greene’s masterwork. Shot...