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Woman at War

Heroes

The Daily

Feb 24, 2023 This week we celebrate Michelle Yeoh and revisit classics by Kim Ki-young, Marguerite Duras, and Bill Forsyth.

Aug 30, 2021 As the fifty-fifth edition wrapped over the weekend, Stefan Arsenijević’s As Far as I Can Walk took three prizes.

Nov 10, 2020 The coming-of-age drama is generally thought of as portraying adolescence—the sexual awakening, the high-school cliques, the angst about the future. At least that’s the assumption on which Hollywood has profitably based its avalanche of teen pics for lo these many...

Oct 23, 2017 The week starts off with a new trailer (embedded below), poster, and, via Jordan Raup at the Film Stage, an official synopsis for Paul Thomas Anderson’s Phantom Thread:Set in the glamour of 1950s post-war London, renowned dressmaker Reynolds Woodcock (Daniel...

Oct 3, 2017 “American Gods star Pablo Schreiber will play astronaut Jim Lovell in Damien Chazelle’s moon-mission movie First Man,” reports Deadline’s Anthony D’Alessandro. In March, D’Alessandro noted that the story, based on James R. Hansen’s 2005 book, “follows NASA’s mission to land...

Sep 30, 2017 “I have seen Zama, and it does indeed have a llama,” announces Cinema Scope editor Mark Peranson in the new issue. “The mysterious circumstances of the film’s long-overdue birth into this world continue with an out-of-competition slot in Venice, an...

Dec 10, 2014 Social satire, women’s melodrama, queer metaphor, or horror movie? Todd Haynes’s elusive masterpiece is all of these and none of them.

Oct 22, 2013 This delicately creepy Hollywood horror movie lives up to its reputation as a classic of the genre.

Feb 11, 2008 Though today he is most fondly remembered for his later romantic comedies, typifying Hollywood filmmaking in its heyday, it should be known that Ernst Lubitsch was also a pioneer of the modern movie musical.

Jan 20, 2026 This month, leap into a century of cinema’s greatest stunts, feel the ache of thwarted romance and bittersweet yearning, or get into trouble with the Depression-era hustlers of Mervyn LeRoy’s pre-Code films.

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