Wild

Oct 29, 2019 — Matewan opens in the pitch-black darkness of a West Virginia coal mine. A miner lights the carbide lamp on his helmet. The small open flame he wears provides the only flicker of light in this cramped space next to a...

Oct 29, 2019 — Check out what’s in store next month on our streaming service!

Oct 24, 2019 — D irector Ishiro Honda gathered his crew and gave them an ultimatum. He was about to put his career at risk, and he would only work with those who approached his current project—a movie about a radiation-spewing prehistoric reptile that...

Oct 24, 2019 — A giant of monster-movie history, Godzilla has been delivering thrills, wreaking havoc, and unleashing deadly atomic breath since its big-screen debut more than six decades ago. Now the King of the Monsters is the subject of one of the most...

Oct 22, 2019 — Muhammad Ali was thirty-two years old when he arrived in Kinshasa, Zaire, in 1974 to fight for the heavyweight championship of the world. Thirty-two is not prohibitively old for a boxer in the heavyweight division. (As I type, the most...

Oct 21, 2019 — Songbook If you weren’t a devotee of the Cantopop world in the early 1990s, the casting of Faye Wong in Wong Kar-wai’s Chungking Express (1994) may not have caught your attention. Starring in her first major role, the singer looked...

Oct 16, 2019 — This month’s round includes new critical assessments of Bresson and Rohmer, Hollywood memoirs, and interviews with living legends.

Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.

Sep 30, 2019 — At first glance, Jean-Pierre Melville’s body of work might seem to display a schizophrenic split between two currents or tendencies. The first is in total symbiosis with the history of France and is rooted in the filmmaker’s own life, notably...

Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.