The Criterion Collection
Essays
Dec 11, 1986 — If events had turned out differently, Orson Welles’s second film might well be widely regarded as “the greatest film of all time.”
Jan 27, 2026 — Unencumbered by the white gaze, Reginald Hudlin’s groundbreaking feature-film debut is a celebration of a Black community in all its diversity, featuring fully realized characters who exist not as spectacle but as reality.
The Daily
Oct 8, 2025 — We remember an artist, teacher, and filmmaker who unleashed realms of depth from two-dimensional images.
Oct 24, 2024 — The director of such classic political docudramas as On the Bowery and Come Back, Africa defied the conventions of nonfiction filmmaking with his innovative approach to collaboration and performance.
The Daily
Jun 21, 2024 — We open with an Italian neorealist classic, steer through ’70s-era paranoia, and wrap with a blast of gnarly rock ’n’ roll.
Apr 24, 2024 — In this early-career gem from one of the most beloved Japanese animation directors of all time, an extravagant sci-fi narrative is anchored by the transcendent power of young love and poignant observations of modern life.
The Daily
Feb 2, 2024 — Film Forum’s series of thirty films centering on women loving women is “eccentric, enduring, and genre-encompassing.”
The Daily
Jan 12, 2024 — This week’s given us essays on Chantal Akerman and Edward Yang and conversations with Takeshi Kitano and Robert Bresson.
Features
Dec 12, 2023 — Deep Dives Beloved for his poetic observations of domestic life and intergenerational conflict, Yasujiro Ozu is an icon of international art-house cinema whose patient, exquisitely restrained style has influenced filmmakers around the world. But even though he directed more than...
The Daily
Nov 6, 2023 — Paul B. Preciado’s Orlando, My Political Biography begins its theatrical run across North America.