The Criterion Collection
Essays
May 24, 2011 — Andrei Tarkovsky belongs to that handful of filmmakers (Dreyer, Bresson, Vigo, Tati) who, with a small, concentrated body of work, created a universe. Though he made only seven features, thwarted by Soviet censors and then by cancer, each honored his...
May 27, 2025 — Suffused with slapstick humor and slightly surreal wit, Richard Lester’s beloved take on a frequently adapted adventure epic embodies a style of extravagant filmmaking that didn’t survive long past the 1970s.
The Daily
Feb 10, 2023 — We head this week to Germany before and after the war and then revisit gruesome killings in Japan and France.
Essays
Jun 18, 2007 — Yasujiro Ozu had already directed forty-five features by the time he started work on Early Spring, in 1955, but the artistic and commercial success of his previous film, Tokyo Story (1953), had rejuvenated him.
Essays
Oct 6, 2007 — In Gus Van Sant’s first feature, gayness—blind, unembarrassed homosexual lust—is the narrative’s driving force.
Essays
Mar 15, 2004 — This Japanese classic’s guiding passion is hunger, and its central image—a gaping black hole in the earth—is that of an all-consuming maw.
Apr 5, 2023 — The composer, pop star, and occasional actor mastered a bafflingly wide range of styles and influences.
The Daily
Sep 30, 2017 — “It would seem that curators have replaced bankers as the villains du jour,” writes Jörg Heiser in a piece for frieze that addresses, among other showdowns, one here in Berlin that’s just resulted in the police clearing out occupiers from...
The Daily
Jul 28, 2022 — Directing the Monkees in Head and Jack Nicholson in Five Easy Pieces, Rafelson was a key figure of the New Hollywood.
Jan 31, 2018 — “Originality has never been a problem for documentarian Robert Greene, whose films Actress and Kate Plays Christine have freely crossed the lines between fly-on-the-wall realism and overt artificiality,” writes Noel Murray for the Week. “Bisbee ’17 is Greene’s masterwork. Shot...