The Criterion Collection
The Daily
Apr 10, 2023 — Ian Penman’s new book Fassbinder Thousands of Mirrors is neither a straight-ahead biography nor an orderly critical analysis.
Jul 26, 2019 — Brought to harrowing life in this film adaptation, George Orwell’s dystopian vision continues to ring true today. But so does his belief in the power of love and hope to overthrow the darkness.
The Daily
Aug 2, 2017 — As Richard Misek explains in his introduction, the new “special issue of [in]Transition forms part of a collaborative project inspired by” the collection Indefinite Visions: Cinema and the Attractions of Uncertainty, edited by Martine Beugnet, Allan Cameron, and Arild Fetveit....
Nov 5, 2015 — Julien Duvivier’s early sound films offer emotionally rich explorations of life in prewar France.
Aug 28, 2012 — A frenetic portrait of New York as well as a love story, Paul Fejos’s film captures the odd sensation of being alone in the big city, even when in a crowd.
Jun 21, 2004 — Indefatigably productive, ingenious, exasperating, narcissistically didactic, slyly self-promoting, abject, generous, exploitative, devoted to the wretched of the earth with honest fervor and deluded romanticism: Pier Paolo Pasolini can easily exhaust the adjective-prone, as man and artist, his person and his...
Features
Apr 2, 2017 — What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.
The Daily
Jul 7, 2020 — The renowned composer of well over four hundred film scores was equally at home in avant experimentation and tear-jerking sentimentality.
The Daily
Mar 27, 2020 — Following a briefing on the crisis, we turn to a few items that might help us take our minds off it.
The Daily
Feb 19, 2025 — Richard Linklater and Ethan Hawke reteam to prove once again that few can make talk livelier or more engaging.