The Dead

Mar 10, 2003 — Vilgot Sjöman’s cultural-sexual sensation sparked much critical and popular mayhem, only to be consigned to nearly instantaneous oblivion.

Aug 20, 2001 — The strangeness of Ordet is something that no number of viewings, God willing, will rub off. I want to stress this strangeness. That Ordet is a great film, one of the greatest ever made, only a rash or foolish person...

May 15, 2000 — Horror movies take place in their own territory. The trick is to get us there. It doesn’t matter whether they start with fantastic premises and gothic settings, or with ordinary neighborhoods and daily experience, because the places and assumptions change...

Jun 7, 1999 — From the moment of its first appearance, at the Cannes Film Festival in 1959—where it won the Palme d’Or—it was clear that Black Orpheus was a very special film. Taking the ancient Greek myth of a youth who travels to...

Jun 25, 1989 — Three men seek shelter from the rain under the ruined gate of the ancient city of Kyoto. There is nothing to do but talk, about a topic which torments two of the wayfarers, who have just been witnesses in a...

May 29, 2026 — We’re revisiting work by Tarkovsky, Pelechian, and Portabella as well as two films with the word Dead in the title.

Feb 20, 2018 — Robert Rodriguez, Frank Darabont, and Guillermo del Toro discuss the groundbreaking casting of African American actor Duane Jones as the lead in Night of the Living Dead.

Jun 16, 2023 — Daisy von Scherler Mayer is an American film and television director. She made her feature debut with the critically acclaimed cult classic Party Girl, which premiered at the Sundance Film Festival in 1995, and was recently streaming on the Criterion...

Oct 24, 2018 — An international star who has delivered acclaimed performances in the popular television series The Walking Dead, Bong Joon-ho’s Okja, and Lee Chang-dong’s Burning, Steven Yeun tells us about the “wise grace” of Tokyo Story, the brutality of RoboCop, and other...

Oct 6, 2008 — It is pretty much a convention of the hard-boiled gangster picture that most, if not all, of the principal characters wind up dead by the final shot. So it ought not constitute a “spoiler” to note that Jean-Pierre Melville’s Le...