The Criterion Collection
Essays
Oct 27, 2009 — Who speaks of Howards End these days? Who expounds on the virtues of this magnificent drama, whose traditional style seems almost as distant as its Edwardian setting? Seen today, years past its 1992 release, it strikes one as not only...
The Daily
Dec 15, 2023 — Pedro Almodóvar looks back, Roy Andersson empathizes, and Alice Diop addresses the state of cinema.
The Daily
Nov 12, 2021 — A new podcast delves into the life and work of Chantal Akerman, and Reverse Shot opens a new symposium.
Essays
Mar 11, 2002 — This compendium of visual delights displays director Federico Fellini’s team of performers, writers, and designers at full and exhilarating stretch.
The Daily
Jun 7, 2019 — This week we revisit the work of Pawel Pawlikowski, Carlos Reygadas, Robert Mitchum, Hal Hartley, and Elaine May.
The Daily
Oct 5, 2017 — The Nobel Prize in Literature for 2017 has been awarded to Kazuo Ishiguro, “who, in novels of great emotional force, has uncovered the abyss beneath our illusory sense of connection with the world,” announces the Swedish Academy. Ishiguro is probably...
Essays
Nov 18, 2025 — This tale of paranoia and romantic jealousy slyly combines the conventions of popular Mexican filmmaking with the surrealist sensibility that made its director, Luis Buñuel, a legendary figure in his native Spain.
Features
Mar 13, 2025 — While a film’s stars are forced to bear the responsibility of moving a narrative forward, supporting actors get to have fun providing comic relief or suggesting whole lives being lived beyond the screen.
Sep 24, 2020 — As video games have evolved into a technological and economic behemoth, they have attracted some consumer attention and spending away from movies. In part to appeal to filmgoers accustomed to the high production values of the big screen, large-budget games...
The Daily
Mar 29, 2018 — New York. “Billed as a ‘meta-soap opera,’ Personal Problems is nothing less than an explosion of the television form,” begins Chuck Bowen at Slant. “Directed by Bill Gunn, the two-part, nearly three-hour miniseries was shot on video for a low...