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Songs XIX & XX

Nov 24, 2015 In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.

Nov 19, 2015 Satyajit Ray’s long-heralded cinematic achievement was influenced by European cinema but also grew out of long-standing Indian artistic tradition.

Nov 18, 2015 On the night of the New York premiere of Gaspar Noé’s controversial new film Love, his 3D cinematic sex odyssey, the French-Argentine provocateur stopped by Criterion with the film’s star, Aomi Muyock.

Nov 17, 2015 Satyajit Ray began his filmmaking career by offering a vision of the young Apu, the character he would go on to follow throughout the three films of his stunning breakthrough epic.

Sep 28, 2015 Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...

Sep 24, 2015 It’s a film that stars David Bowie, so it should come as no surprise that Nicolas Roeg’s The Man Who Fell to Earth is as richly layered sonically as it is visually. However, although Bowie wrote songs for the sci-fi...

Sep 24, 2015 More light is about to be shed on the era of Bob Dylan’s career immortalized in D. A. Pennebaker’s Dont Look Back. The latest installment of Dylan’s Bootleg Series has just been announced for a November 6 release, and it...

Aug 26, 2015 Here’s an item of interest to everybody who feels Bob Dylan’s words are pure gold. Like last year, when Dylan’s original handwritten lyrics for “Like a Rolling Stone” were sold for over two million dollars at Sotheby’s, an original typewritten...

Jun 7, 2015 Critic Glenn Kenny reveals the connection between two classics: Nicolas Roeg’s film Don’t Look Now and Robert Wyatt’s album Rock Bottom.

Jun 1, 2015 A legionnaire turned fruit seller misses out on Germany’s economic miracle in Rainer Werner Fassbinder’s breakthrough melodrama.

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