Sep 19, 1994 The French do not have to take crash courses in order to deal with the man/woman thing. It is in their blood and in their civilization. Hence, they do not have to compensate for a habitual sexism with extravagant portraits...

Ugetsu

Essays

Dec 28, 1993 In his touchstone of postwar Japanese cinema, Kenji Mizoguchi uses woman’s fate to reveal the human cost of oppression.

Sep 2, 1993 Capturing for posterity the portrayal that brought Paul Robeson fame, this film was a turning point—the culmination of his early career and a groundbreaking showcase for the work of a black leading man.

Jun 3, 1991 Jean Marais on the set of Beauty and the Beast An excerpt from Cocteau: A Biography (1970) by Francis Steegmuller Beauty and the Beast, the first film of Cocteau’s own since The Blood of a Poet, and his finest poem since...

May 16, 2019 Initial response to Silverstein’s first fiction feature is ranging from warm to very warm indeed.

Nov 11, 1991 The following notes are by Mark Kasdan, co-writer and associate producer of Silverado. Albert Camus wrote that a person’s lifework may be “nothing but a long journey to find again, by all the detours of art, the two or three...

The actor shares her personal connection to Blow-Up, talks about being inspired at a young age by Laura Dern’s performance in Smooth Talk, and takes home favorites like Hedwig and the Angry Inch and Secrets & Lies.

Dec 3, 2008 Gliding on silvery reels of steel, and tricked out with Lars von Trier’s panoply of visual effects, the film ravishes with its elaborately storyboarded tunnel vision.

Colm Tóibín is the author of ten novels, including The Master and Brooklyn, and two collections of stories. His work has been translated into more than thirty languages. He is a contributing editor at the London Review of Books and...

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