The Criterion Collection
Nov 23, 2021 — First and foremost, Menace II Society is a movie for white people.These aren’t my words. These are the words of Albert Hughes, who codirected the movie with his twin brother, Allen. In several interviews, Albert has mentioned how he and...
Nov 17, 2021 — Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...
The Daily
Nov 10, 2021 — Over time, the former child star learned to love his work.
Oct 27, 2021 — Stephen Winter’s subversive, imaginative work simultaneously celebrates Black queer culture and fiercely threatens cinematic and societal conventions. In conversation as in his work, the director, producer, and writer deftly balances a warm wit with strikingly incisive honesty. Winter has played...
Oct 13, 2021 — When I was growing up in the 1970s, the Black Panther Party’s trademark Afros and black leather jackets were a familiar sight. But it wasn’t until I began studying the Black Panthers in my late teens that I became familiar with...
On the Channel
Sep 29, 2021 — Celebrate the spooky month with our collection dedicated to cinema’s most legendary monsters and a series of chilling home-invasion thrillers.
Sep 28, 2021 — Melvin Van Peebles’s feature debut riffs on the French New Wave to tell a love story that portrays interracial intimacy and unflinchingly confronts the distortions of racism.
Sep 23, 2021 — Gina Prince-Bythewood’s iconic debut portrays Black love without forcing its heroine to compromise herself and her ambitions.
The Daily
Sep 17, 2021 — The new 4K restoration of Christopher Petit’s debut feature will screen at the New York Film Festival before opening at the Metrograph.
Sep 2, 2021 — Translated into English for the first time, this afterword to Hirokazu Kore-eda’s novelization of his film explores the director’s attraction to fiction writing and how the art form differs from narrative cinema.