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Desperate

Jan 13, 2008 Certainly one of the wildest, most original, and most instinctive movie stars turned auteurs in the Hollywood annals, Cornel Wilde made procedurals of uncivilized survival, in a visual syntax that ranges from comic-strip splat to outright gut punch.

Oct 22, 2007 Through the alcohol-induced convulsive movements of Firmin, a fallen diplomat, John Huston puts what is perhaps his own fear of decline, of departure without making peace with one’s loved ones, on the screen.

Jul 9, 2007 Hiroshi Teshigahara’s first feature is the kind of uncanny, equivocally realist movie you might hope to duck into in a strange city, stumbling across it in a low-rent theater while escaping a bad date or a debt collector.

Jun 25, 2007 Taking the form of apocalyptic science fiction typical of the Cold War era, Chris Marker’s singular film is simultaneously a philosophical fiction, genre exercise, and treatise on cinematic time.

Jun 18, 2007 Dušan Makavejev’s masterpiece explores sexual freedoms and their perils in both New York and Belgrade, using each city and set of practices and problems to help define the other.

Mar 12, 2007 Kon Ichikawa’s incendiary and extraordinarily brutal war film renders the emotional carnage that festers long after the battle’s end.

Feb 12, 2007 Vittorio De Sica’s seminal drama renounces “egoism” for collective concern, envisioning a cinema of impassioned social conscience.

Jan 16, 2007 The marvel of Mouchette inheres in the elegance, obstinacy, and capaciousness of Bresson’s double-mindedness.

Dec 4, 2006 William Greaves’s masterpiece uses a single situation as the basis for a theme-and-variation structure that interrogates every aspect of the filmmaking process as well as the categories of fiction and documentary.

Nov 6, 2006 The circumstances of our first encounters with movies are often as memorable as the movies themselves. Sometimes the juxtaposition of movie and circumstance seems merely accidental; but there are those films that change us enough that we can identify the...

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