The Criterion Collection
Essays
May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.
Essays
Apr 19, 2016 — In Whit Stillman’s second feature, cousins Fred and Ted Boynton (Chris Eigeman and Taylor Nichols) navigate an occasionally hostile culture and their own late transitions to adulthood.
Apr 12, 2016 — Howard Hawks’s 1939 aviation classic Only Angels Have Wings is an exemplar of the auteurist Hollywood entertainer’s capability to fuse “a personal existential statement and a delightful piece of showmanship.”
Essays
Mar 17, 2016 — Decades later, Ingmar Bergman’s self-reflexive masterpiece remains a provocative enigma worthy of close investigation.
Mar 11, 2016 — Valley of Love (2015), dir. Guillaume Nicloux “Filmmaking is a collective assemblage of desires,” said Isabelle Huppert when we sat down to talk on a recent morning. We were speaking about how she picks her roles, and how her own intuition...
Essays
Feb 24, 2016 — Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.
Interviews
Oct 30, 2015 — The following interview was originally published in the 2005 edition of filmmaker and writer Chris Rodley’s book Lynch on Lynch. The interviews included in the book were conducted by Rodley between 1993 and 2005. For Criterion’s release of Mulholland Dr.,...
Essays
Oct 13, 2015 — Divorce wreaks a particularly devastating form of havoc in David Cronenberg's personal take on the dissolution of a marriage.
Aug 17, 2015 — François Truffaut’s love letter to the movies is a lightheartedly self-reflexive symphony of camera movement and musical flourish.
May 22, 2015 — A music star burns brightly and flames out beautifully in Mark Rydell’s visceral rock-and-roll film, starring a sensational Bette Midler.