Black and White

Jun 10, 2011 — Bringing Junichiro Tanizaki’s sprawling, elegiac histor­ical novel The Makioka Sisters (1948) to the screen would seem an undertaking tailor-made for Kon Ichikawa. The renowned writer’s work was familiar territory for the veteran director, who had adapted the quirky Tanizaki novella...

Extending from the “kitchen-sink dramas” of the early sixties to contemporary masters like Ken Loach and Mike Leigh, the tradition of social realism in British film runs strong.

From sweeping epics to more intimate, luminous films, this English filmmaker’s pictures were driven by his deep interest in complex characters, his brilliant way with actors, and his classic sense of storytelling.

Aug 18, 2010 — Before Marcel Camus’ Black Orpheus showed up on American and European screens in 1959, what would later be known as the “art film” came in only a few shades of glum: Bergmanesque existentialism, Japanese samurai tragedy, stories of Italian peasant...

This Japanese visionary played chaos like jazz in his movies, which included anything-goes yakuza thrillers and daring postwar dramas of human frailty.

Nov 30, 2009 — The following essay was originally written for Criterion’s website in 2005, on the occasion of the DVD release of Powell and Pressburger’s The Tales of Hoffmann. We have posted it here to coincide with BFI Southbank’s ongoing Hein Heckroth exhibition...

Sep 22, 2009 — One enters any major film festival with hopes of discovering a budding auteur, a new voice from some previously unheard-from part of the world—a Julián Hernández or Corneliu Porumboiu or Bong Joon-ho. At this year’s Toronto International Film Festival, however,...

May 20, 2009 — Early in Shohei Imamura’s Intentions of Murder, the librarian Riichi distractedly peruses Herbert Marcuse’s Eros and Civilization while conversing with his clinging mistress, Yoshiko. One can read the reference in many ways: as a glancing jest, as an (uncharacteristic) Imamurian...

Mar 10, 2009 — Akira Kurosawa made Dodes’ka-den (1970) during the most crisis-laden period of his career. He had just spent two years embroiled in an ill-fated venture with the Hollywood studio Twentieth Century Fox to direct the Japanese segments of the World War...

Dec 25, 2008 — Robert Rossellini’s efforts to put history into images would yield some forty-two hours of “didactic” movies, mostly for television.