The Criterion Collection
Essays
Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.
Aug 3, 2020 — The British director of sprightly musicals, wrenching family dramas, and gripping political thrillers was seventy-six.
Jun 16, 2020 — Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...
Aug 27, 2019 — In 1986, having made a number of child-centered films in his position as the head of the filmmaking division at Iran’s Center for the Intellectual Development of Children and Young Adults (an organization Iranians call Kanoon), Abbas Kiarostami accepted a...
Jun 24, 2019 — A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.
Jun 13, 2019 — Photo by Sara Driver Half a century ago, George A. Romero’s midnight-movie hit Night of the Living Dead invented the zombie genre as we know it and turned American independent filmmaking on its head. Made on an ultralow budget with...
Feb 20, 2018 — In this wildly inventive revenge drama, director Kon Ichikawa blurs the line between stage and screen, infusing kabuki traditions with his own extravagant visual sensibility.
Essays
Aug 30, 2011 — A startling blend of fantasy and reality, Lindsay Anderson’s satirical tale of adolescent rebellion personifies the 1960s.
Apr 24, 2006 — This influential crime thriller, designed purely as a genre exercise, is the first in the long series of anomalies that was Louis Malle’s career.
May 26, 2026 — Top prizes go to films by Cristian Mungiu, Andrey Zvyagintsev, Valeska Grisebach, Paweł Pawlikowski, and Los Javis.