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Dec 14, 2018 “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...

Dec 7, 2018 Christian Petzold’s films are like dances in which people circle each other but never quite connect. The most resonant moments in the German writer-director’s work are not ones of dialogue or plot development but of blocking and choreography: bodies intertwining,...

Nov 27, 2018 With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.

Nov 16, 2018 Critics Serge Daney and V. F. Perkins and filmmakers Dziga Vertov, William Friedkin, and Alfonso Cuarón are among the subjects of this week’s highlights.

Oct 30, 2018 Ridiculous on the outside but full of truth on the inside, Rob Reiner’s fairy-tale classic is a childhood touchstone for generations of movie lovers.

Sep 13, 2018 Michael Moore takes on Trump, Werner Herzog meets Gorbachev, and Astra Taylor asks a big question.

May 23, 2018 About halfway through Cristian Mungiu’s Graduation (2016), Dr. Romeo Aldea (Adrian Titieni) finds himself in a patch of woods in the middle of the night, crying. It’s a surprisingly vulnerable moment for a protagonist who is usually all business. We’re...

May 21, 2018 Beyond the Hills (2012) tells the story of a real-life Romanian tragedy that attracted international media attention in 2005: the death of a young woman submitted to a shockingly medieval exorcism at a small monastery in Moldavia. The monastery was...

May 15, 2018 It’s the true story of a black detective who infiltrated the KKK—and Lee just might have a hit on his hands.

Apr 16, 2018 Following lineup announcements from the Cannes Film Festival and Critics’ Week, the Quinzaine des Réalisateurs, or Directors’s Fortnight has presented the slate for its fiftieth edition, running from May 9 through 19. “As per the tradition of the parallel section,”...

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