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Anyone But You

Apr 20, 2010 In 1992, I went to Paris to see some movies that weren’t turning up on these shores, at least not as quickly as I wanted them to. At the time, it meant something particular to be going to Paris to...

Apr 25, 2005 Andrzej Wajda’s first feature film marks the beginning of the Polish School, the paradigm of Polish cinema that arose from the political and cultural thaw of the mid-1950s.

Cannes Openers

The Daily

May 14, 2026 Jane Schoenbrun’s third feature is met with raves, while three other early entries are seeing mixed reviews.

Aug 13, 2024 In films that elude categorization, the Ukrainian director developed a boldly experimental aesthetic that evokes her mercurial inner dialogue and the leaps and stutters of her imagination.

Jun 24, 2024 Costars and critics remember an outstanding actor who neither looked nor sounded like a movie star.

Nov 23, 2021 The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...

Jul 13, 2020 Kaufman’s sprawling first novel is being met with generally positive reviews. And his next movie will premiere on Netflix in September.

We’ll Meet Again

The Daily

May 1, 2020 Everyone’s eager to make, show, and watch movies in theaters again. In the meantime, here’s plenty to see, hear, and read at home.

Feb 6, 2019 On the Criterion edition of Secret Sunshine, Lee Chang-dong describes his creative process as one of utter despair. That should come as no surprise to anyone who knows his work. Since making his feature debut, Green Fish, in 1997 at...

Aug 12, 2017 At Shadowplay, David Cairns has posted David Melville Wingrove’s tribute to Conchita Montenegro, whose career in theater and film took her around the world from the late 1920s through the mid-40s. Her “triumphant final film” would be the 1944 Spanish...

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