The Criterion Collection
Feb 6, 2017 — In the inaugural installment of his new column, archivist Michael Chaiken examines the Nobel Prize–winning icon’s unique artistic process through a collection of ephemera.
Essays
Sep 24, 2013 — Marketed as a movie of volcanic passion, Roberto Rossellini’s first film with Ingrid Bergman is rather a pragmatic take on the negotiations of matrimony.
Aug 21, 2006 — A key Gen-X comedy about postgraduate angst, Noah Baumbach’s debut feature is an uproarious union of wit and trauma.
The Daily
Sep 23, 2025 — Josh O’Connor stars in the heist movie that slips into another genre entirely.
The Daily
Nov 27, 2024 — The week offers evasive icons, an archive to rummage through, and a great but overlooked critic.
The Daily
Jul 14, 2023 — This week, we’re reading conversations with Cheryl Dunye, Christian Petzold, and Whit Stillman.
Mar 28, 2022 — Rosine Mbakam’s documentaries are exercises in reconfiguring relations of power. Her first three nonfiction features are all portraits of Cameroonian women, each of whom is invited to participate in coconstructing a cinematic space of testimony, candor, and expressive autonomy. Filmed...
Dec 13, 2021 — When Jessica Beshir embarked on making her debut feature more than a decade ago, she realized she was going to have to get comfortable with the unfamiliar and unknown. Not only did the Mexico-born, Brooklyn-based filmmaker have to learn how...
Dec 3, 2021 — What do amphetamines, intellectual property, and Sour Belts have in common? They all correspond to a letter of the alphabet that structures the world of Don’t Go Tellin’ Your Momma, the short-film companion to musician and filmmaker Topaz Jones’s funk-infused...
The Daily
Jul 13, 2021 — Critics assess new work from Mahamat-Saleh Haroun, Paul Verhoeven, Ryusuke Hamaguchi, François Ozon, Joachim Trier, and more.