Agýt

Oct 15, 2021 — There is a gloriously unaffected vibe about Gina Prince-Bythewood. Cerebral and sublime, casually beautiful and laser-focused, she has written and directed impressive television and film for the past twenty-plus years with equal parts rigor and joy. And she has achieved...

Oct 13, 2021 — When I was growing up in the 1970s, the Black Panther Party’s trademark Afros and black leather jackets were a familiar sight. But it wasn’t until I began studying the Black Panthers in my late teens that I became familiar with...

Oct 12, 2021 — One of cinema’s most eclectic and impactful curators is fêted in the cities were he lived and worked.

Oct 5, 2021 — Kaneto Shindo’s visceral erotic-horror film centers on a dangerous duo of women fighting to survive while men are away at war.

Sep 29, 2021 — Luchino Visconti’s scandalous antifascist melodrama envisions the liquidation of desire with expressionistic panache.

Sep 28, 2021 — Melvin Van Peebles’s feature debut riffs on the French New Wave to tell a love story that portrays interracial intimacy and unflinchingly confronts the distortions of racism.

Sep 28, 2021 — Adoption was the first Hungarian film to compete in Berlin—and the first film directed by a woman to win the Golden Bear.

Sep 24, 2021 — The celebration of the life and work of the filmmaker, novelist, rebel, and father has just begun.

Sep 22, 2021 — No one’s claiming that Cry Macho is a great movie, but plenty are moved to reflect on what Eastwood has meant to us over all these years.

Sep 22, 2021 — Writer-director John Huston blasted the fusty pieties that pervaded big-studio filmmaking in the post-Code era, whether as the progenitor of film noir with The Maltese Falcon (1941) or the brainy daredevil who threaded critiques of frontier capitalism, gold lust, and...