The Criterion Collection
Sneak Peeks
Dec 12, 2018 — As the commanding presence at the center of Samuel Fuller’s wild feminist western Forty Guns, the great Barbara Stanwyck taps into the tough, no-nonsense bearing she’d honed on-screen since the late twenties, playing the part of a corrupt rancher who...
Aug 7, 2018 — Can creative genius flourish on the federal dime? Animator Norman McLaren’s remarkably innovative, government-funded films suggest it can.
May 19, 2018 — The full list of awards and a look back at what many consider to be the strongest edition in years.
The Daily
Apr 27, 2018 — A survey of the films in this year’s Cannes competition lineup and predictions of what will take home the top prize.
The Daily
Feb 22, 2018 — Luis Buñuel was born on this day, February 22, in 1900. “By 1961, Buñuel was born again, so to speak,” writes Jeremy Carr, having sketched the career from Un chien andalou (1929) and L'âge d'or (1930) through the years in...
The Daily
Feb 7, 2018 — Last week, the SXSW Film Festival presented 132 features lined up for its 2018 edition running from March 9 through 18. Today, the festival announces that Wes Anderson’s Isle of Dogs will be this year’s Closing Night Film—and it’s added...
Nov 15, 2017 — At the American Film Festival that wrapped a couple of weeks ago in Wroclaw, Poland, IndieWire’s Eric Kohn has had early looks at four works in progress: Writer-director-cinematographer John Maringouin’s Ghost Box Cowboy, “an often absurdist commentary about capitalism gone...
Aug 18, 2017 — In this unsparing drama, Mike Leigh captures the grim mood of Thatcher’s England through the frustrations of a working-class London family.
Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.
Essays
Oct 22, 2013 — The disc of Faces that you now hold is the most beautiful copy possible of a film that was meant to look lousy. Digital technology painstakingly reproduces John Cassavetes’s lighting, which allowed his actors to move about freely, and so...