The Criterion Collection
Features
Dec 30, 2013 — Charlie Chaplin’s comedy has a secret ingredient that has bound us to him forever.
Dec 10, 2013 — In 1998, I interviewed Little Edie Beale, the surviving star of 1976’s Grey Gardens, one of the Maysles brothers’ numerous masterworks (Gimme Shelter, Meet Marlon Brando, and With Love from Truman are equal in technical and emotional innovation). Miss Beale,...
Oct 7, 2013 — René Clair, Fredric March, and Veronica Lake cast sensational spells in this screwball supernatural treat.
FYI
Oct 1, 2013 — For the next twenty-four hours at Criterion.com, all in-stock Blu-rays and DVDs will be 50% off the suggested retail price (SRP). Just enter the promotional code INGRID on your shopping cart page to apply the discount. If you need some...
Sneak Peeks
Jun 24, 2013 — The most iconic gag of Harold Lloyd’s career—and one of the most indelible images of all of silent cinema—is the limber funnyman dangling from a clock on the side of a high building in Safety Last!. It is the centerpiece...
May 14, 2013 — Delmer Daves’s classic western is psychologically probing, magnificently shot, and fascinatingly ambiguous.
Short Takes
Nov 26, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...
Sneak Peeks
Oct 26, 2012 — Now here’s a real haunted house for movie lovers. For a special feature on our Blu-ray and DVD editions of his film Cronos, Guillermo del Toro invited us inside his phantasmagorically decorated home offices, which the director has nicknamed Bleak...
Interviews
Oct 7, 2011 — For Janus Films’ new print of Jean-Luc Godard’s Weekend, which starts showing today, designer Steve Chow created an eye-catching poster that vividly captures that New Wave battering ram’s apocalyptic, sideways vision. This is the third Godard design that Chow has...
Essays
Sep 13, 2011 — Robert Altman’s spellbinding drama about stolen identities is propelled by evanescent reveries of his own and inventive contributions from cast and crew.