The Ear

Sep 17, 2017 — The Toronto International Film Festival has a single competitive program, Platform, now in its third year. This year, jurors Chen Kaige, Małgorzata Szumowska, and Wim Wenders have awarded the Toronto Platform Prize (25,000 Canadian dollars) to Warwick Thornton’s Sweet Country,...

Sep 17, 2017 — There’s no getting around the loaded real-world context on this one. For the Daily Beast, Richard Porton begins with the “various accusations about [Louis C.K.’s] supposed sexual misconduct, which have been floating around for years since a 2012 Gawker story...

Sep 14, 2017 — New York. Tomorrow through Wednesday, the Metrograph presents new 35 mm prints of ten features and five shorts as the UCLA Festival of Preservation flies in from the left coast. In the Village Voice, Melissa Anderson previews Howard Alk’s “scalding...

Sep 10, 2017 — “Hirokazu Kore-eda is best known for intimate family dramas that overseas critics often compare to the work of Yasujiro Ozu (1903-63), the genre’s unquestioned master,” writes Mark Schilling, introducing his interview with the filmmaker for the Japan Times. “Kore-eda rejects...

Sep 7, 2017 — As part of a six-week retrospective of the work of Chantal Akerman, the Harvard Film Archive screens her most famous film in 35 mm.

Sep 5, 2017 — “Apparently the word refers to an actual traumatic state caused by getting lost in a forest,” begins Jonathan Romney in Screen. “However, if the title Woodshock leads you to expect a horror movie about the results of bad acid at...

Sep 4, 2017 — “Greta Gerwig didn’t get much sleep leading up to the Friday premiere of her directorial debut, the coming-of-age dramedy Lady Bird, at the Telluride Film Festival,” writes Josh Rottenberg, introducing his interview with the filmmaker for the Los Angeles Times....

Aug 31, 2017 — “Lucrecia Martel is the elusive poet of Latin-American cinema, missing believed lost, the Mary Celeste in human form,” begins the Guardian’s Xan Brooks. “She made La Cienaga and The Holy Girl; split the Cannes audience in two with her brilliant,...

Aug 30, 2017 — “Can there be any clearer signal of reality warping as we hurtle toward imminent apocalypse than the fact that Alexander Payne has made a life-affirming film?” asks Jessica Kiang at the Playlist. “Venice opener Downsizing takes the long road getting...

Aug 9, 2017 — The Toronto International Film Festival has added Canadian features and shorts and a bit more to the lineup of its forty-second edition, running from September 7 through 17. Earlier rounds: Gala and Special Presentations TIFF Docs, Midnight Madness, and Short...