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This and That

Second Look

The Daily

Mar 9, 2022 MoMI celebrates ten years of its First Look festival with five selections from previous editions.

Feb 28, 2022 Ulysses Jenkins is an artist of extremes, an innovator who has probed the limits of a wide range of aesthetic modes for over five decades. Though he’s best known for his video art, a medium whose conventions he has been...

Feb 9, 2022 The Learning Tree may have been Gordon Parks’s first feature film as a director, but by the time filming began in the fall of 1968, Parks already had almost three decades of experience behind a camera. In 1940, the self-taught...

Jan 25, 2022 A Victorian-era tale of self-discovery, Jane Campion’s Palme d’Or winner exults in the thrill of female rebellion.

Jan 18, 2022 Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...

Dec 15, 2021 Twenty-five films are selected for their “enduring importance to American culture.”

Nov 24, 2021 We discovered this weekend that there is a problem with Blu-ray disc 1 in all of our Citizen Kane editions that affects the contrast in the feature film, starting around the 30-minute mark and lasting until the end of the film....

Nov 22, 2021 Songbook Tootsie is a film about love and desire. Audiences are prone to forgetting this amid the controversies that have arisen around its gender-crossing conceit. Back in 1982, the film emerged as one of the decade’s prestige comedies: it was...

Oct 26, 2021 In the run-up to Friday’s opening, Wright has put together a delectable issue of the Observer New Review.

Sep 29, 2021 It’s National Silent Movie Day—and the Pordenone Silent Film Festival opens on Saturday.

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