The Criterion Collection
Short Takes
Oct 7, 2016 — The Brooklyn Rail has published a conversation between Roberto Rossellini and Salvador Allende, prefaced with an introduction by Jonas Mekas, who received the original transcript from Rossellini in the early seventies. For MUBI, Daniel Kasman explores the newly restored early...
Features
Oct 4, 2016 — This account of a visit to the Beyond the Valley of the Dolls set is excerpted from an issue of the University of California, Los Angeles, newspaper.
Short Takes
Sep 30, 2016 — Did You See This? In anticipation of the fifty-fourth annual New York Film Festival, opening tonight, Indiewire has surveyed the must-see films playing in the revivals section, including Gillo Pontecorvo’s The Battle of Algiers, Tomás Gutiérrez Alea’s Memories of Underdevelopment,...
Sep 28, 2016 — The salacious sixties phenomenon of the Dirty Book made its way to the big screen in this adaptation of Jacqueline Susann’s best seller.
Sneak Peeks
Sep 23, 2016 — Writer Amy Fine Collins discusses the costume designs by Travilla that are featured in Mark Robson’s 1967 melodrama.
Features
Sep 19, 2016 — If you consider noir as a global phenomenon, then films like Julien Duvivier’s Pépé le moko (1937), Jean Renoir’s La bête humaine (1938), and Carné’s Port of Shadows (1938) may be the first full harvest of this bitter crop.
Sneak Peeks
Sep 14, 2016 — Asian-cinema expert Tony Rayns unpacks the significance of Zatoichi’s name and the strict social hierarchy that the character so gleefully upends.
Short Takes
Aug 22, 2016 — “I’ve never made any secret of the fact that at least 50 percent of my reason for writing can be blamed on Shelagh Delaney,” the singer-songwriter once said. Gathered here are some of his most prominent references to the English...
In Theaters
Jul 21, 2016 — As part of a monthlong film series, the Austin Film Society is screening Maurice Pialat’s 1983 masterpiece.
Jul 20, 2016 — In his staggeringly ambitious masterwork A Touch of Zen, Chinese filmmaker King Hu imbues dynamic scenes of combat with balletic grace and audacious stylistic experimentation.