The Look

Jun 9, 2016 — Repertory PicksThis weekend, as part of its ongoing series Looking at Art Cinema, Aperture Cinema in Winston-Salem, North Carolina, will be screening François Truffaut’s 1973 metamovie Day for Night. In this farcical commentary on the filmmaking process, Truffaut stars as...

Feb 16, 2016 — In Death by Hanging, Nagisa Oshima spins a complex aesthetic web around his documentary-like structure, packing detail, history, politics, and emotion into his surrealist inquiry into capital punishment.

Dec 29, 2015 — Kitchen Conversations“I almost have the impression that films come by themselves and you’re like a slave to them—one of them decides to go for it, and you run after it,” said director Deniz Gamze Ergüven when she and her eight-month-old...

Nov 24, 2015 — Film scholar David Bordwell has written a terrific new piece for his blog about the incredible influence and evolution of Agnès Varda’s six-decade-long filmmaking career. “Varda is now regarded as a living treasure of world cinema,” Bordwell writes. “Whatever she...

Sep 14, 2015 — In his latest column, Peter Cowie reflects on his friendship with our beloved cofounder.

Sep 18, 2013 — This chapter about director Richard Linklater’s beginnings, from the 1996 book Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema, is by the former producer’s representative, creator and host of IFC’s Split Screen, and...

May 28, 2013 — Mike Leigh’s breakthrough is a funny film about serious things, and an emotional and slyly political take on consumer culture.

Mar 29, 2013 — Did You See This?• A new column on the art of the movie poster • The greatest British film ever made? • Mapping Kubrick’s world • Make your own Monsoon Wedding. • Michael Sragow looks back and ahead. • A...

Nov 20, 2012 — Michael Cimino’s visionary western is a superbly realized account of a shocking real American tragedy.

Apr 24, 2012 — With a projector, a screen, some red cellophane, a pipe cleaner, and this script, you can re-create this performance piece by Hollis Frampton.