The Criterion Collection
Jan 11, 2017 — When the Academy Film Archive embarked on a new restoration of The Front Page, preservationists stumbled onto a mystery regarding the existing prints of the film.
In Theaters
Jan 11, 2017 — Repertory PicksIn advance of the continuation of David Lynch’s cult series Twin Peaks, premiering on television this May, the Texas Theatre, in Dallas, presents a screening of his debut feature, Eraserhead. Made on a shoestring budget, this midnight-movie favorite takes...
Jan 11, 2017 — A revelatory restoration of Lewis Milestone’s underappreciated newsroom comedy accentuates the film’s punchy rhythms and breakneck banter.
Jan 9, 2017 — A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.
Jan 9, 2017 — Since its inception more than a half-century ago, the National Society of Film Critics has maintained its reputation for championing idiosyncratic and independent voices during the commercially driven awards season, with past best picture awards going to films like Michelangelo...
Jan 6, 2017 — Did You See This? With Alain Resnais’s Muriel, or The Time of Return now streaming on FilmStruck, Leo Robson explores how this radical meditation on memory “invites broader questions about what happens when we return to a movie: Is rewatching...
Jan 2, 2017 — With the debut of Me and You and Everyone We Know on the Criterion Channel, the acclaimed multi-hyphenate discusses her evolving creative process and her love of Jane Campion.
On the Channel
Jan 1, 2017 — The Korda brothers’ voluptuous fantasy Jungle Book—directed by Zoltán, produced by Alexander, and art-directed by Vincent—captures that mood-swinging moment in late childhood when the adult world seems to be unbearably corrupt and nothing could be more exhilarating than escaping to...
Dec 26, 2016 — PerformancesTraveling through the subterranean portals of Videodrome like an introverted wraith, Deborah Harry carries herself with the wry, burned-out, but still titillated instincts of a voyager buying a one-way ticket for the outer limits. A vivid, smallish part can either...
Dec 21, 2016 — Garrett Brown in our kitchen reenacting a Steadicam-shot scene from Blow Out In 1975, the cameraman Garrett Brown revolutionized filmmaking technology with the Steadicam, an invention that brought together the agility and immediacy of a handheld camera with the smoothness and...