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A New Year

Amy Taubin wrote regularly about movies for the Village Voice for fifteen years and for Artforum and Film Comment even longer. She lives and still writes a lot in New York City.

Nov 16, 2021 Tsui Hark’s epic martial-arts saga revolutionized Hong Kong cinema by presenting a complex portrait of modern Chinese history and setting a gold standard in action choreography.

Nov 4, 2015 In the midst of a tumultuous period in his life and career, Ingmar Bergman made one of his most ebullient comedies.

May 16, 2024 Does it measure up? For most reviewers, the answer is a resounding yes—but there are a few outliers.

Jan 27, 2023 This week brings a new issue of Seen, featuring Cauleen Smith; a conversation with Jia Zhangke; and a deep dive into Twin Peaks: The Return.

Sep 21, 2017 Tonight, Shotgun Cinema in New Orleans screens a piquant sampling of the wildly idiosyncratic documentaries of Les Blank.

Jul 24, 2012 Trained as a musician, Jean Grémillon became one of French cinema’s most lyrical artists. His most beloved films were made during World War II.

Feb 6, 2026 There’s an AI-driven reconstruction of The Magnificent Ambersons underway, a restoration of Michael Almereyda’s Nadia in theaters—and more.

October Books

The Daily

Oct 23, 2025 This scary season brings two new books on films by Nicolas Roeg and extensive documentation of a project Chaplin never realized.

Sep 24, 2025 Propelled by outstanding performances from Emmanuelle Devos and Vincent Cassel, Jacques Audiard’s third feature is the rare French crime film built around a complex female character who takes initiative in a male-dominated world.

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