The Criterion Collection
Short Takes
Oct 12, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...
Short Takes
Oct 10, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...
Oct 9, 2012 — British wartime audiences ate up these rule-breaking costume pictures—entertainments for a populace seeking escapism.
Short Takes
Oct 5, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...
Short Takes
Oct 4, 2012 — Louis Malle is remembered primarily as a fiction filmmaker, but he had a parallel career as a documentarian. In fact, he got his start in nonfiction: when he was just twenty-three years old, Malle was given the opportunity to collaborate...
Short Takes
Oct 3, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...
Oct 2, 2012 — Set in 1960s Hong Kong, Wong Kar-wai’s ravishing masterpiece is both a love song to a city and a human romance of epic intimacy.
Short Takes
Sep 28, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...
Features
Sep 27, 2012 — A culinary, cinematic, and musical institution is as endangered as the eels in the Thames.
Essays
Sep 25, 2012 — No mere jigsaw movie, David Fincher’s thriller is also a nuanced character study, a satire of corporate culture, and a film about filmmaking.