The Criterion Collection
Essays
Sep 23, 2002 — René Clair’s early sound film is an iconic vision of lower-class Paris bursting with charm and romance.
Essays
Feb 11, 2002 — The last, best, and funniest movie Milos Forman would make in his native Czechoslovakia is a deceptively simple miniature.
Essays
Oct 29, 2001 — Peter Medak’s stinging satire is unashamedly theatrical, emerging from a fascinating period in English culture when theatre and cinema together were mining a rich vein of flamboyant self-analysis.
Essays
Oct 15, 2001 — Preston Sturges’s beloved comedy provides insights into the way Hollywood formulas work on us.
Essays
Sep 17, 2001 — George Sluizer’s nightmarish film is a study in everyday madness, rooted in the specifics of the Dutch and French landscapes and character.
Essays
Jun 18, 2001 — Pent-up, unfulfilled sexuality spills onto the screen in Douglas Sirk’s sumptuous melodrama.
Apr 23, 2001 — A majestic synthesis of disparate forms, Sergei Eisenstein’s final film seems to be as much a ballet or a moving painting as it is a movie.
Nov 1, 1999 — The Unbearable Lightness of Being is a profoundly beguiling movie about sex, love, and rebellion.
Essays
May 5, 1998 — Borrowing inspiration from doom-laden French crime movies like Jean-Pierre Melville’s Le samouraï and ancient Chinese chronicles of patriotic assassins, John Woo’s film is a passionate cinematic upheaval.